{"id":55,"date":"2017-11-02T21:14:53","date_gmt":"2017-11-02T21:14:53","guid":{"rendered":"http:\/\/www.thebakiproject.org\/sandbox\/wordpress\/?page_id=55"},"modified":"2017-12-19T01:10:48","modified_gmt":"2017-12-19T01:10:48","slug":"thepoet","status":"publish","type":"page","link":"http:\/\/www.thebakiproject.org\/main\/tr\/thepoet","title":{"rendered":"\u015eA\u0130R HAKKINDA"},"content":{"rendered":"

As\u0131l ad\u0131 Mahmud Abd\u00fclbaki (1526-1600) olan \u015fair, 4 Osmanl\u0131 padi\u015fah\u0131n\u0131n saltanatlar\u0131 s\u00fcresince Baki mahlas\u0131yla \u015fiir yazd\u0131. Osmanl\u0131 edebiyat\u0131n\u0131n \u201cAlt\u0131n \u00c7a\u011f\u201d\u0131 kabul edilen d\u00f6nem boyunca Sultan\u00fc\u2019\u015f-\u015fuara (\u015eairlerin Sultan\u0131) olarak \u00f6v\u00fclen Baki\u2019nin bir \u015fair olarak etkisi y\u00fczy\u0131llar boyunca yank\u0131land\u0131. Baki ayn\u0131 zamanda Kanuni Sultan S\u00fcleyman\u2019\u0131n (1520-1566) resm\u00ee ve hususi e\u011flence meclislerinin daim\u00ee misafiri, \u0130mparatorluk s\u0131n\u0131rlar\u0131 d\u00e2hilinde \u0130slam hukukunun \u015eeyh\u00fclislamdan sonraki en y\u00fcksek ikinci r\u00fctbesi olan Rumeli Kazaskerli\u011fine kadar y\u00fckselen bir kad\u0131 ve tan\u0131nm\u0131\u015f bir \u00e2limdir. Baki\u2019nin Osmanl\u0131\u2019n\u0131n gelmi\u015f ge\u00e7mi\u015f en \u201ciyi\u201d \u015fairi olup olmad\u0131\u011f\u0131 bug\u00fcn h\u00e2l\u00e2 tart\u0131\u015f\u0131l\u0131yor olsa da \u00e7ok az\u0131m\u0131z onun en tan\u0131nm\u0131\u015f Osmanl\u0131 \u015fairi olmad\u0131\u011f\u0131n\u0131 iddia edebilir.<\/p>\n

\"bl-or-25423\"
British Library OR25423<\/figcaption><\/figure>\n

BAK\u0130\u00a0D\u0130VAN<\/em>\u2019I:\u00a0<\/strong>Baki\u00a0Divan<\/em>\u0131 (toplu \u015fiirler), \u015fair \u00f6ld\u00fc\u011f\u00fcnde, kaside ve musammattan gazel, k\u0131t\u2019a ve Fars\u00e7a \u015fiirlere var\u0131ncaya kadar geni\u015f bir yelpazade muhtemelen 650 ya da daha fazla manzumeyi ihtiva etmekteydi. Kabataslak bir ara\u015ft\u0131rma bug\u00fcn Baki\u00a0Divan\u0131<\/em>\u2019n\u0131n d\u00fcnya genelinde b\u00fcy\u00fck olas\u0131l\u0131kla 180’in \u00fczerinde yazma n\u00fcshas\u0131n\u0131n mevcut oldu\u011funu g\u00f6stermektedir. Baki\u00a0Divan<\/em>\u0131 yazmalar\u0131n\u0131n bir katalo\u011fu olmad\u0131\u011f\u0131, mevcut yazmalar\u0131n say\u0131m\u0131 yahut tetkikine y\u00f6nelik hi\u00e7bir te\u015febb\u00fcste bulunulmad\u0131\u011f\u0131 ve divan\u0131n herhangi bir edisyonunda yazmalar bir k\u00fclliyat olarak de\u011ferlendirmeye t\u00e2bi tutulup tasnif ve tavsif edilmedi\u011fi i\u00e7in bu say\u0131n\u0131n 180’in ne kadar \u00fcst\u00fcnde olabilece\u011fine dair herhangi bir fikre sahip de\u011filiz. Baki\u00a0Divan\u0131<\/em>\u2019n\u0131n \u015fu an dola\u015f\u0131mda olan yeg\u00e2ne ele\u015ftirel bas\u0131m\u0131, tamam\u0131 edit\u00f6r\u00fcn kolayca eri\u015febilece\u011fi T\u00fcrkiye k\u00fct\u00fcphanelerinden olmak \u00fczere sadece 12 n\u00fcshan\u0131n kar\u015f\u0131la\u015ft\u0131rmaya t\u00e2bi tutuldu\u011fu bir doktora tezinin kitap olarak yay\u0131nlanm\u0131\u015f versiyonudur. Kitab\u0131n \u00f6ns\u00f6z\u00fcnde edit\u00f6r \u015f\u00f6yle demektedir: \u201cB\u00e2k\u00ee Div\u00e2n\u0131\u2019n\u0131n T\u00fcrkiye ve d\u0131\u015f \u00fclkelerdeki k\u00fct\u00fcphanelerde y\u00fcz\u00fc a\u015fk\u0131n n\u00fcshas\u0131 bulunmaktad\u0131r. N\u00fcshas\u0131 bu kadar \u00e7ok olan bir eserin tenkitli metnini ortaya koyman\u0131n ne kadar g\u00fc\u00e7 oldu\u011funu tahmin etmek zor olmasa gerekir.\u201d Bu noktada edit\u00f6re kesinlikle hak vermek gerekir: 1986 y\u0131l\u0131nda, mevcut Baki\u00a0Divan\u0131<\/em>yazmalar\u0131n\u0131n hat\u0131r\u0131 say\u0131l\u0131r miktarda \u00f6rne\u011fini g\u00f6zden ge\u00e7irmek bile zor de\u011fil imk\u00e2ns\u0131z olurdu ve haz\u0131rlad\u0131\u011f\u0131 edisyon i\u00e7in edit\u00f6re m\u00fcte\u015fekkiriz. Bununla birlikte, bug\u00fcn elimizde mevcut olan ara\u00e7lar g\u00f6z \u00f6n\u00fcnde bulunduruldu\u011funda, Baki\u00a0Divan\u0131<\/em>\u2019n\u0131n h\u00e2li, hele de Osmanl\u0131 gelene\u011findeki stat\u00fcs\u00fc \u0130ngiliz edebiyat\u0131nda bir Milton ya da Shakespeare\u2019inkine e\u015fde\u011fer olan bir \u015fairin eseri s\u00f6z konusu oldu\u011funda, kabul edilemez bir durumdur.<\/p>\n

\u00dcstelik Osmanl\u0131 divan\u0131 \u201ctoplu \u015fiirler\u201d mahiyetinde bir eser olarak yazma gelene\u011fi yani yazmalar\u0131n t\u00fcm\u00fc tek bir metnin varyantlar\u0131n\u0131 temsil etmeyebilir. Aksine gelenek bir \u015fairin hayat\u0131 boyunca yeni ve belki de d\u00fczeltilmi\u015f \u015fiirler ekleyerek ortaya koydu\u011fu geni\u015fletilmi\u015f edisyonlar\u0131n\u0131n tarihsel izlerini temsil etmektedir. Baki \u00f6rne\u011finde, tan\u0131nm\u0131\u015f bir \u015fair olarak ya\u015fam\u0131 18-19 gibi erken ya\u015flarda ba\u015flar ve 60 y\u0131la yak\u0131n uzun bir s\u00fcrenin ard\u0131ndan ancak onun \u00f6l\u00fcm\u00fcyle sona erer. Baki\u00a0Divan\u0131<\/em>\u2019n\u0131 ihtiva eden yazmalar\u0131 hi\u00e7bir suretle bir b\u00fct\u00fcn olarak incelemeye t\u00e2bi tutmad\u0131\u011f\u0131m\u0131z i\u00e7in Baki\u2019nin bir \u015fair olarak, yazma k\u00fclliyat\u0131 ve onun geli\u015fimi i\u00e7inde sakl\u0131 kalm\u0131\u015f olabilecek, olgunla\u015fma hik\u00e2yesi hakk\u0131nda hi\u00e7bir fikre sahip de\u011filiz.<\/p>\n","protected":false},"excerpt":{"rendered":"

As\u0131l ad\u0131 Mahmud Abd\u00fclbaki (1526-1600) olan \u015fair, 4 Osmanl\u0131 padi\u015fah\u0131n\u0131n<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_links_to":"","_links_to_target":""},"translation":{"provider":"WPGlobus","version":"2.10.3","language":"tr","enabled_languages":["en","tr"],"languages":{"en":{"title":true,"content":true,"excerpt":false},"tr":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/pages\/55"}],"collection":[{"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":12,"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/pages\/55\/revisions"}],"predecessor-version":[{"id":306,"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/pages\/55\/revisions\/306"}],"wp:attachment":[{"href":"http:\/\/www.thebakiproject.org\/main\/tr\/wp-json\/wp\/v2\/media?parent=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}